周慧玲

Distinguished Professor of English Department, National Central University. Project Director of the Center for Theatre and Performance Studies, NCU. Coorodinator of ETI, a digital archive collecting over 700 visual recordings of Taiwan’s modern theatre since 1985 Awardee of NCU Outstanding Research, 2005, 2009-12, 2020 After receiving her PhD of Performance Studies at NYU, USA, Katherine Hui-ling Chou co-founded Creative Society Theatre Troupe in Taipei, and has been the troupe’s core member, director and playwright since 1997. Her artistic credits include: The Apocalypse of Fudingjin (playwright & director, Wei Wu Ying National Kaohsiung Center for the Arts, 2020) Jian Ji: A Just Life (playwright; premiered at the Grand Opening of Wei Wu Ying, National Kaohsiung Center for the Arts, 2018). President’s Invitation (director of the 3.0 edition, MFA Theatre Troupe of Nanjing Univ. China, since 2015). One Hundred Years on Stage (co-playwright, Guoguang Beijing Opera Troupe, since 2011.) Have Wok, Will Travel (playwright, director, Creative Society Theatre Ensemble (CS), 2011.) Zhou Huiling Xiaoxi Dazuo (Three plays of Experimental Theatre by Katherine Hui- ling Chou), Taipei: Bookman (2011). He Is My Wife, He Is My Mother (playwright & director, CS, 2009, 2010, 2017, 2018.) He Is My Wife, He Is My Mother (script and DVD). Taipei: Da Ke Press, 2009, 2010. Dreams on Manuscript, playwright, 2009. to be AND not to be (playwright/director, CS, 2006-2008.) Reel Murder (director, CS, 2005.) Click, My Baby (playwright/director, CS, 2004.) Dejavu (director, CS, 2003, 2006.) Memory Album (playwright/director, CS, 2002.) I Love You, I Love You Not (playwright/director, CS, 2000.) She is the author of Performing China: Actresses, Visual Politics and Performance Culture, 1910s-1945, and numerous refereed journal articles and chapters of refereed books edited by Richard Schechner (MIT,USA), David Der-wei Wang (Harvard U. Press, USA), Ru-ru Li (Palgrave,UK), Steve Siyuan Liu (Routledge, Canada). Her current research focus is on performing arts in creative industry, and digital theatre/performance. She is also the editer-in-chief of Performing Taiwan: Script, Design, Stagecrafts, 1943-, an epic ebook series of 22 volumns by 2018. In 2014, Katherine Hui-ling Chou initiated the World Sinophone Drama Competition for Young Playwrights, and has chaired it, with collaborations from China, Cananda, USA, UK and Singapore.

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